Any
appreciation and criticism of art work has hidden in it, the biases, prejudices
and variety of hang-ups.. This is my experience in general and all the time the
effort is to overcome these qualities and indulge in the experience of any art
form. This is what the matured mind is expected of , or at least that is what i
want to believe. When it came to
Anamika, several of such things were operating ... remake? Story based? Onetime watch? Vidya balan? Telugu space? Etc etc .. So
inherently the expectation was set in my mind like most people. At best it can
be a multiplex movie, is what people talked about.. So is multiplex supposed to be good?
Intellectual? not mass?
So
where is the concept of good cinema in all that? Where is the mention on
engagement as a cinema? In one sentence,
one should give totally to the belief and conviction of shekar kammula . He has
proved how a well made movie can be decent, bereft of violence, engaging,
entertaining without going for a formula of a commercial movie. There is no
criticism of popular or commercial movies here.. One need not put down
something to highlight something else.
Hence let me talk only about this movie, elucidating the genuine
experience i had despite the bias mind and preset notions.
First
day movie is hurriedly reviewed and talked about. We heard phrases like “ mixed
talk “ divided talk , Mass will not
like, not a B and C center movie etc.. I thought let me give it a try and watch
this movie. I took Babji my colleague and friend whose taste and likes i
value.. We watched and started comparing, talking and trying to find faults.
All this ended after the first initial few minutes and i got engrossed into the
movie like any good movie would make me do.
The
narration was simple, uncomplicated and the flow was easy and optimum. Nowhere
was it overdone or stretched. At Places,
there would be a temptation to go slightly overboard but shekar resisted all
temptations. He did not do anything to play up to the gallery. He just believed
and made a good film which can be watched with the entire family without
feeling embarrassed for a minute.
The
movie is subtle, absorbing, entertaining and will leave you with a feeling of
having spent good time watching a good movie.
The casting is almost perfect and few good surprises in Vaibhav, Khan the inspector , and hotel owner etc. But
Its Nayantara all the way. She has simply excelled in her acting. People who
are interested in comparisons, she has done a more marvellous job than Vidya
balan. For vidya the role is not
difficult as she essayed several such roles.
But for nayan and especially in a context like this, it is most
difficult and she just portrayed a splendid performance. Nayantara has silenced critics about comparing
her to vidya. Her expressions, vulnerability
in scenes, boldness at places, looks; grace in presence is all there to be
appreciated.
One should not miss appreciating Sunitha for her fabulous dubbing. These 2( nayan and sunitha) are a deadly combination and we have seen that in Simha, Ramarajyam and now in Anamika. The maturity, the emotion, the grace, the diction, pronunciation, and the sweetness in language is the hall mark of her voice and she has enhanced the overall calibre of the character of anamika.. Sunitha has reflected once again the mastery of her calibre in voice culture.
One should not miss appreciating Sunitha for her fabulous dubbing. These 2( nayan and sunitha) are a deadly combination and we have seen that in Simha, Ramarajyam and now in Anamika. The maturity, the emotion, the grace, the diction, pronunciation, and the sweetness in language is the hall mark of her voice and she has enhanced the overall calibre of the character of anamika.. Sunitha has reflected once again the mastery of her calibre in voice culture.
One
of the big plus of the movie is the fantabulous back ground score of Keeravani
garu. This is what has enhanced most
scenes and all emotions. The score seems, it’s there and not there. It is
enough at places and more intense at several other places. Eega, Rajanna and now Anamika has taken BG to
a new high, where i feel keerawani has
given a refreshing back ground score which is so rich and absorbing. The song
Kshana kshanam wonderfully rendered by sunitha lingers on and is utilised
beautifully in the movie.
When
technology gives access to the entire life and realities across nations and
fields, we talk about inspiration, adaptation, lift, copy, plagiarism etc and
some we accept and some we reject. But here is the one which is honest and is a
remake and done beautifully. I
appreciate shekar’s belief, guts and conviction and journey must have been
difficult owing to comparisons and intensions. His intent of giving a good
movie to telugu audience has fructified .
But
the fact that he churned out a good product is a testimony of his knowledge of
film making and storytelling. It does not matter if you know the story, if you
already seen the “original” .. If you care for a good movie , just go and watch
and you will love nayantara, music, narration and decency of the movie .. my
vote is clean majority and never believed in grades of the website kinds .
The
ending says, Animaka is nameless and faceless.
I say its name is success and is face saving movie for all the crew and
technicians. Hats off
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